Seth Rogen is launching a podcast

The actor and his producer-editor Richard Parks III discuss their new mission Storytime With Seth Rogen for the primary time.


The actor could have gotten his get started in Hollywood through bringing his very specific logo of stoner comedy to the massive display, however in actual existence, he’s develop into a prolific writer. Issues that will be leisure pursuits for many (throwing pottery, smoking weed, writing in a diary) are a hit companies for Rogen (Houseplant, his memoir Yearbook). His newest inventive undertaking is a podcast, however, true to shape, it’s a extremely stylized, extremely learned podcast that’s extra audio documentary than famous person interview display.

“This factor occurs in my existence and occupation the place I inform other people I’ve an concept they usually suppose I’m both now not going to do it or that I’ll get lazy and do a far much less advanced, extra lo-fi model of what I got down to do,” Rogen says with fun.

On Storytime, which debuts on SiriusXM’s Stitcher lately, Rogen brings in a visitor (everybody from Paul Rudd to Quinta Brunson to his absolute best pal’s brother-in-law) to inform him one nice tale — however with accompanying clips and supplementary interviews to beef up the storytelling enjoy.

“I briefly discovered that only a few podcast firms are set as much as create a display like that, that it’s out of doors their realm of sources,” he says. “So [Stitcher] was once like, would possibly we recommend this man Richard Parks III? And he grew to become out to be absolutely the easiest individual to perform what I had envisioned.”

With Parks as editor and co-producer, they took interviews with visitors together with Ashley Ray, Ava DuVernay, David Crosby, Paul Scheer, Steve MacDonald, and Yassir Lester, and created a form of newfangled Large Most sensible Chatauqua — with Seth Rogen as a substitute of Garrison Keillor and subjects like surviving a grizzly endure assault and pooping your pants at Disney Global. The primary episode drops lately, and the remainder episodes will unlock weekly.

Beneath, Rogen and Parks talk about the podcast (publicly) for the primary time.

ENTERTAINMENT WEEKLY: Seth, you’re a star launching a podcast who isn’t the celebrity of your personal podcast…

SETH ROGEN: I didn’t need to be the principle component of this. Clearly, through nature, I’m a large a part of the mission, however I didn’t need to be an amazing presence at the podcast. Richard has some way of modifying and bringing in song and clips that helped. He made it very other from the everyday podcast.

RICHARD PARKS III: We had older radio displays in thoughts, the place there’s an technique to sound that’s very heightened. I believe the ability of this medium is that it forces other people to convey their very own imaginations to it. It forces the listener to be concerned extra so than in tv or movie.

How did you choose the visitors for each and every episode? Particularly because it’s now not only produced from celebrities.

ROGEN: One of the crucial visitors had been me going out to attention-grabbing other people I do know being like: “Do you’ve got a tale?” One of the crucial visitors got here from tales that I already knew, however hadn’t heard in an extended, fleshed-out structure. A few of them, like my absolute best pal’s brother-in-law from Vancouver, I had heard he was once attacked through a grizzly endure. So I assumed, that seems like a excellent tale, let’s convey him on. I didn’t most effective need well-known other people as a result of I in finding that numerous well-known other people have an intuition to only speak about how they were given well-known and I didn’t need that to be the entire podcast was once — simply serving to other people recount how they changed into a star.

Did you give any pointers to the visitors earlier than they got here on?

ROGEN: No longer in reality, however a part of the pitch to visitors was once, we’ll assist convey your tale to existence and we can honor it — we received’t make it humorous if it’s now not humorous. What wound up taking place is a few grew to become out to be so much much less humorous than I used to be anticipating, and a few had been pitched [to me] as one thing that didn’t sound that humorous however changed into very humorous all through. We didn’t need to information the tone of the narrative in some way that wasn’t consistent with the teller’s standpoint.

PARKS: Going into those interviews, I knew not anything about what other people had been going to mention. I believe Seth most certainly knew subsequent to not anything.

ROGEN: I had principally a one-sentence description.

PARKS: As a manufacturer, that most often makes me very anxious. But in addition, what you get is Seth listening to this for the primary time and reacting in reality authentically. And there’s an power in that form of interplay. The individual telling the tale has clearly selected it and edited it to a point, however then in my spherical of modifying what I’m listening for is a method to in finding an enchanting standpoint and narrative.

You convey up an enchanting level: Everybody self-edits, to some extent, once they speak about themselves or recount a tale for which they’re the protagonist. This isn’t a journalistic undertaking, however did your participation contain wondering what came about in any respect?

ROGEN: I’m now not going into those interviews seeking to poke holes of their model of what came about. Even though, every so often it turns into transparent that folks don’t be mindful issues the similar method as different individuals who had been there. Other views get up. Every so often including every other voice to spherical out the tale will take us in an entire new route. We’re ready to glean a distinct which means and that may be a in reality amusing workout. Somebody begins out pondering, “It is a tale of the way I were given into comedy,” however when we get started speaking about how one thing they did impacts folks we see this ripple impact. Oftentimes comedians, their intuition is to inform simply the humorous portions of the tale — but when I ask a query that makes us dig somewhat deeper we get a hold of one thing new. The best way we wound up hanging the episodes in combination was once roughly like when you gave a mechanic a host of portions and stated, “Construct one thing out of this.” Or a Most sensible Chef problem. We created one thing out of the substances the visitor gave us.

Does anyone episode stick out as a tale that took a in particular sudden flip?

PARKS: The primary episode, the Quinta Brunson episode. It has this construction that’s virtually like a triangle the place the idea that spreads out because it is going. Very early on we had a fully usable, cohesive tale from Quinta, however then it went into a unconditionally other route for two times the period of time. I believe the item that’s maximum attention-grabbing to me about this entire podcast sequence is Seth deciding early on that it was once going to be edited, when he didn’t have to try this and I don’t assume any individual anticipated him to. It’s just like the Mark Twain quote: I may perhaps’ve written a shorter letter however I didn’t have the time.

There are well-known other people in this podcast, they usually’re speaking about probably prone subjects within the tale that they make a choice — do you take into consideration the possibility of their sound bites to devolve into clickbait?

ROGEN: I’ve been the topic of podcasts that develop into clickbait many, time and again. And numerous those podcasts, I think like a part of the function is that it’s arguable. They’re getting you to discuss present parties or topics that can inevitably anger a big portion of the inhabitants. And a part of me does now not revel in doing the ones podcasts, so I sought after to make this one thing that was once documentary taste and executed with the permission and endorsement of the topic. It’s now not a gotcha display the place I, because the host, am seeking to take belongings you stated and monetize them or bolster my very own occupation come what may. This is similar mentality I had when making Superbad, or 50/50, tales in response to actual existence — I’m taking part with a crew of other people to convey one thing to existence.

It’s additionally extra of a byproduct that one of the vital visitors are well-known. Once I wrote my e book, the entire time I used to be pondering: I’m now not that particular. And if I’ve an entire e book of humorous tales, then folks surely do. And perhaps they don’t have the time to convey their tales to existence in a e book, however they do need to do it on this structure. I imply, there are jokes within the podcast, and comedians make jokes which are loopy. The podcast is filled with them, but it surely’s now not a present events-based material. Via that by myself it doesn’t have the impact of giving sound bites or headlines.

Now that you just’ve executed this, what’s your takeaway on what makes a in reality excellent tale?

ROGEN: It’s useful if it’s one thing that had an have an effect on to your existence or your paintings. However that doesn’t imply it could possibly’t be a tale about sh—ing your pants at Disney Global.

Is there in reality a tale about any person s—-ing their pants at Disney Global?

ROGEN: There may be! And I’m additionally in reality excited for everybody to listen to the grizzly endure tale. Once my pal informed it to me, I assumed, that’s the craziest factor I’ve ever heard in my complete existence. I’ve by no means met anyone who’s skilled the rest find it irresistible. I’m so thankful that he depended on us with the tale. And it’s humorous! It’s now not essentially the most severe episode through a protracted shot.

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